Poster‑Girl Is Latex Royalty — And She’s Rewriting Red Carpet Rules.
Intern #7 unpacks how this London label (and its KHY‑linked cheeky latex reign) became the fashion troublemakers we didn’t know we needed.
In a sea of midi dresses and recycled red‑carpet tropes, Poster‑Girl hit us sideways — in latex. The London‑born label, founded in 2017 by Central Saint Martins alumni Francesca Capper and Natasha Somerville, materializes bold femininity with high‑gloss rebellion and unapologetic confidence.
Francesca (a veteran of Dior, Westwood, Wang) and Natasha (Galliano, Jeremy Scott, Bvlgari) scribbled their first business ideas on the back of a receipt — and woke up ordering materials the next morning. Ever since, they’ve been pouring Y2K nostalgia into curve‑skimming latex, shapewear corsetry, and chainmail armor that transcends costume-wear and becomes confidence-wear.
“Poster‑Girl seems to have an effect on all women that try on our pieces… They always tell us how confident it makes them feel!”
But the label’s latest milestone? The KHY x Poster‑Girl collection, launched by Kylie Jenner herself. She debuted looks so glossy she joked she’d “pick them up from school in latex” — and it was clear: latex isn’t niche, and it’s not a stunt. Jenner praised the collection for celebrating curves with nostalgic polish. Behind the scenes, Francesca shared it was a full‑circle moment — the kind of affirmation you stake a brand on.
Francesca Capper and Natasha Somerville snap a selfie on set with kylie jenner, a fan and supporter of poster-girl.
Kylie jenner for KHY x poster-girl
Hommeheart Obsessed: poster-girl glass slipper heel - here
Poster‑Girl doesn't just dress bodies — they create campaigns that pop. From neon "court summons" starring JT of City Girls, to faux-arrest tabloids that leaned into 90s scandal chic, they’ve mastered viral storytelling. Their client roster reads like an It-Girl who’s also an It-Brand: Dua Lipa, Doja Cat, Cardi B, Megan Thee Stallion — each wearing Poster‑Girl as a headline .
“We want every woman who wears us to feel like their own headline.” — Poster‑Girl
The result? Couture-level construction meets meme-ready attitude — latex as armor, as statement, as empowerment.